Within a just 
              a few years of releasing its first theatrical short in 1956, the 
              Zagreb Film studio had established itself as a world leader of innovative 
              animated fare. Located in the former Yugoslavia, far away from the 
              hubs of animation production, the Zagreb shorts charted their own 
              course, revolting against the traditional and conventional, and 
              injecting a modern asthetic into a medium often known for its rigid 
              mechanization and blandness.
             The 
              studio built its reputation not by developing a stable of cartoon 
              characters, but rather by concerning itself with the creation of 
              films that expressed individuality and personal viewpoints. French 
              film critic Georges Sadoul dubbed their films the "Zagreb School 
              of Animation," a name that quickly became synonymous with quality 
              and creativity. Directors and designers like Vladimir Kristl, Boris 
              Kolar, Aleksandar Marks, Vatroslav Mimica and Nikola Kostelac pushed 
              and pulled the animated cartoon in any number of directions, stretching 
              the potential of the medium to unprecedented peaks.
The 
              studio built its reputation not by developing a stable of cartoon 
              characters, but rather by concerning itself with the creation of 
              films that expressed individuality and personal viewpoints. French 
              film critic Georges Sadoul dubbed their films the "Zagreb School 
              of Animation," a name that quickly became synonymous with quality 
              and creativity. Directors and designers like Vladimir Kristl, Boris 
              Kolar, Aleksandar Marks, Vatroslav Mimica and Nikola Kostelac pushed 
              and pulled the animated cartoon in any number of directions, stretching 
              the potential of the medium to unprecedented peaks.
            This DVD brings 
              together a dazzling array of eleven of the studio's shorts produced 
              during its formative years (1957-1963). The collection highlights 
              the freewheeling spirit of graphic experimentation and the relentless 
              search for new ideas by the Zagreb team – from the brooding 
              adaptation of the Balzac tale, La Peau de Chagrin, to the Cold War 
              send-up, Boomerang, to the sweet children's tale, The Boy and the 
              Ball, to the frenetic graphic romp The Great Jewel Robbery. The 
              timeless animated shorts in this collection – all appearing 
              on DVD for the first time – will inspire and entertain time 
              and time again.